This World War II Movie Was So Historically Inaccurate British Parliament Saw It As An Insult

Photo Credit: Renovatio / Summit Entertainment / MovieStillsDB

Picture this: it’s the year 2000, and you’re settled on your couch with popcorn in hand, eagerly awaiting the latest American war film to light up your screen. The movie is U571, starring Matthew McConaughey, featuring daring heroes, underwater battles, and tension so thick you could cut it with a knife… But as you get drawn into the story, something feels a bit off.

Here’s the storyline: a group of American submariners embarks on a secret mission to seize the Enigma machine aboard a German U-boat against the tumultuous backdrop of World War II. It’s gripping, emotionally resonant, and undeniably captivating, but wasn’t that the British’s doing? Spot on.

The feat of capturing the Enigma, the important device that enabled the Allies to decipher German naval communications, was indeed orchestrated by the British. Herein lies the confusion between of our cinematic adventure and the historical reality.

Operation Primrose

U-571, 2000. (Photo Credit: Carlito / Summit Entertainment / MovieStillsDB)

The actual seizing of Enigma machines by the British was a covert, dangerous operation that held the weight of the war within its grasp. The Royal Navy and its sailors demonstrated immense courage and strategic acumen in executing these operations.

The HMS Bulldog (H91), under the command of Capt. Joe Baker-Cresswell, captured U-110 (not U-571) and its Enigma machine in 1941. This provided British codebreakers, including Alan Turing, with invaluable insight into German naval communications, which proved pivotal in turning the tide of the Second World War.

The British efforts to decipher Enigma codes at Bletchley Park saved countless lives and accelerated the Allies’ victory. The sailors faced incredible peril, with several losing their lives. The capture, dubbed Operation Primrose, was top secret – even US President Franklin D. Roosevelt didn’t learn about it until the next year from British Prime Minister Winston Churchill.

U-571 upset the British Parliament

British House of Commons. (Photo Credit: Kirsty Wigglesworth – WPA Pool / Getty Images)

The esteemed British Parliament, known for its serious deliberations on matters of state and strategy, found itself drawn into the realm of cinema with the release of U-571. Various Members of Parliament (MPs), including military veterans and representatives from regions directly affected by U-boats, expressed their dissatisfaction. Prime Minister Tony Blair even commented that the production was an affront to the Royal Navy.

The prevailing sentiment was not merely one of national pride, but also of upholding historical accuracy and honoring those who had made sacrifices. There was a widely held belief that the distortion of history in such a manner disrespected the true heroes of World War II, covering up their bravery and sacrifices with a narrative tailored for Hollywood that was deeply inaccurate.

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Cinematic liberties versus historical accuracy

U-571, 2000. (Photo Credit: Carlito / Summit Entertainment / MovieStillsDB)

Cinema often takes liberties with the truth, molding and shaping it into narratives that are compelling and commercially successful, but where should the line be drawn, especially when dealing with historical events and real-life sacrifices?

U-571 is a lens through which we can examine this delicate balance. Storytelling, especially when it intersects with real-life events and people, bears a responsibility to honor and respect the truth. It brings into focus the ethical considerations filmmakers must navigate when translating true events for the big screen, ensuring they honor the memories of those who lived them.

A moment of candid reflection came a few years after the film’s release when screenwriter David Ayer acknowledged in an interview with BBC Radio 4’s The Film Programme that U-571 had bent the arcs of history. He shared a heartfelt admission about the discomfort he felt in implying it was Americans – not the British – who captured the naval Enigma cipher.

Public reaction to U-571

U-571, 2000. (Photo Credit: Barney112 / Summit Entertainment / MovieStillsDB)

While U-571 was certainly a commercial success, raking in robust box office numbers, its reception was a mixed bag, globally. In the United States, audiences were enthralled by the adventure and drama, likely largely unaware of the historical liberties taken by the script.

In the United Kingdom and among WWII historians, however, the response was notably frosty, with the film seen as an affront to the actual heroes and a blatant rewriting of history.

In conclusion…

Director and co-screenwriter of U-571 (2000), Jonathan Mostow. (Photo Credit: Getty Images)

In the echo of U-571‘s fading credits, we find ourselves in poignant reflection. To honor the memories of the brave souls who truly ventured into the abyss during the darkest days of the Second World War, we must ensure their stories, unadulterated and true, continue to echo through history.

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This debate serves as a timeless reminder of the weight that stories carry and the imperative to tell them with respect, honor and truth, especially when they’re intertwined with the experiences of real-life people. It beckons filmmakers and storytellers to tread thoughtfully when navigating the sacred ground of history, ensuring the legacies of true heroes remain undimmed.

Damian Lucjan: Damian is a history geek that’s working for War History Online for almost a decade. He can talk about the history and its chain of events for hours and is 100% legit fun at parties. Aside of history, geography and etymology of all things are no less exciting for him! An avid video game player, meme distributor, and your comment section moderator all in one. Mythologies of all cultures are fascinating to him, Greek, Nordic, Slavic - you name it, and he’s in! In his spare time, assuming he has some left, he gives it all to his family, enjoying morning walks, a good book, an exciting FPS, and a long nap…or a few. Definitely a cat person.
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